Nicholas
Reid reflects in essay form on general matters and ideas related to
literature, history, popular culture and the arts, or just life in general. You are free to agree
or disagree with him.
CHILDREN’S
MYTHOLOGY
When I was six years old, the adults
I knew were all giants and were all immensely wise, having secrets that I could
not understand. I went on tremendous journeys of incredible adventurousness,
through the neighbours’ properties. There were special places where we could hide
and the like of which no children of our age had ever enjoyed. Under the
ground-scraping branches of a macrocarpa tree. Under the house. The full moon
shone every night. All that I heard my elder siblings say about school was
mythology. Their teachers were all either ferocious or extremely stupid. Their
jokes were original. Their slang was immensely naughty. Our family was special.
Nobody saw the world as we did. Our parents had been married forever and ever. We
were the centre of the world. Unique. Unchangeable.
When I was fifty-six years old I
understood that none of this was true. The adults of my childhood were neither
all-wise nor gigantic. I never went on tremendous journeys on my own at the age
of six. Perhaps I went a hundred yards from our front door, and then under the
supervision of somebody older. The special places were no more exotic than
those found near every house in the street. It was gibbous, crescent, half or
dark of the moon as often as it was full moon. There was nothing mythological about
the schools my elder siblings attended. Their jokes and slang were the common
currency of every classroom in the land. Our family was unique because all
families are, with their own codes and in-jokes and traditions. But then this
uniqueness was a common uniqueness. We were not special in any exceptional way.
Our parents were, when I was six years old, in their forties, and obviously
they had not been married for ever and ever. We were not the centre of the
world, and of course we were not unchangeable.
This was not a rush of cynicism.
Simply a realisation that for all children, the immediate environment they
experience is the centre of the world, and beyond its narrow confines,
everything else is unfamiliar and other and either fabulous or threatening.
When I was fifty-six, my wife and I
already had a much-larger-than-usual family of children. We did usual family
things. Played in the back yard. Read. Went on beach holidays. Shopped. Lived
together.
Then it hit me that all this mundane
life was being baked as mythology in the minds of my younger children. The
unexceptional and everyday things were the mythic narratives that would one day
be stored as archetypes in the recesses of their adult minds. That dull trip to
the supermarket was an expedition, and something trivial that I or my wife said
on the way home would become a memorable phrase. That back yard was adventure
territory. What the younger ones heard the older ones say about school was
mythology. I understood this most acutely when the children would ask “Do you remember when we….?” And they
would then mention some little incident from a holiday or an outing which I had
completely forgotten because there was nothing special about it.
I do not say all this to preach a big lesson.
I do think having your own children can be a great corrective to
over-mythologising your own childhood, and I sometimes sense that people
without children often cling to the idea that there was something exceptional
in the way they were brought up. They have never, as adults, watched children
fabulate mundanity.
This is not a lesson. It is simply an
observation. I close with a poem that appeared in my collection The Little Enemy (2011). It is not quite
on the same topic as my reflections here, but it does at least point to a gap
between the child’s mind and what passes for objective reality.
LONG AFTER IT WAS HEARD NO MORE
Thank you for not
bringing
the camera when I
was twelve
feet tall, digging
a cavern,
scaling impossible
cliffs
meeting that noble
and special
one (all of
fifteen) before whom
I could abase and
win.
Box Brownie, Kodak
Instamatic
Polaroid, digital
chip all
of them the same
would have seen
hard sunlight, a
fat and
owlish face with
National Health-
type specs before
they were
chic, overlong
school shorts
to the knees and
dark
socks and
foolishness.
Thank you for not
saving
the moment, for
letting it
grow malleable and
live
in this obtuse
soft grey
organ. For not
giving the
objective
measurements
that lie like the
truth.
“Did we really wear clothes
like that?”
No, we never did,
our being set in
the present
and not the
image’s memory.
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