Nicholas
Reid reflects in essay form on general matters and ideas related to
literature, history, popular culture and the arts, or just life in general. You are free to agree
or disagree with him.
BESTSELLER GRAVEYARD
It
had rained and rained for about three days and we had kept indoors, hugging
ourselves in the winter chill and beginning to get cabin fever. And then on the
Saturday the sun came out and the sky was a welcome uniform blue.
I
said: “Let’s go for a walk while we can.”
She
said: “Sure. Let’s walk down to the high
school. They’re having a sale of second hand books.”
This
seemed a good plan to me. The high school is about helf a mile away, so it
would be a healthy mile-long walk.
I
vowed that I would buy very little, if anything. God knows, our house is
overstuffed with books as it is, and this blog and other reviewing outlets mean
that I always have a formidable pile of new books waiting for my attention. But
we took a backpack with us anyway. We walked sunlit suburban streets, then
scrambled through the muddy tracks of a reserve of native trees and emerged
near the high school.
Of
course, despite my vow, I bought too much. Could you resist good copies of
Maurice Gee’s Ellie and the Shadow Man
and Azar Nafisi’s Reading Lolita in
Tehran and David Lodge’s A Man of
Parts and Thomas Keneally’s A Family
Madness and Niall Ferguson’s The Pity
of War, all in excellent condition and each costing only $2? Of course not.
And she couldn’t resist all the sheet music to add to her very large collection
– classical, jazz, popular sing-songs. You need them all when you teach music.
So I carried a heavy backpack as we trudged home up a long hill, avoiding the
muddy track of the reserve.
But
it was not the exceptional plums that disturbed me, nor even the uneasy sense
that it would be a very long time before I got around to reading the books I
had bought – and even longer beofre I turned some of them into “Something Olds”
on this blog.
What
disturbed me was all the stuff between the few plums at the second-hand book
sale.
Trestle
table after trestle table of formula thrillers, formula romances, formula
“historical” novels. Yesterday’s bestsellers now looking tawdry and rather
pointless. Danielle Steele. Wilbur Smith. Dan Brown. Bryce Courtenay. Clive
Cussler. Jilly Cooper. Who – honestly, who? – would want to read this junk now?
Indeed (and at this point you may huff and puff if you will about my elitism
and cultural snobbery) who really wanted to read them in the first place? Books
inspired only by a publisher’s contract, maybe gaining some populatity by their
glib novelty which has now been killed by time. Books that aspire to be movie
tie-ins.
Trestle
table after trestle table of dated political commentary.
Trestle
table after trestle table of dated how-to-get-rich books, targeting people who
will never be rich.
Trestle
table after trestle table of self-help books which would be resorted to only by
those who are congenitally incapable of helping themselves.
And the ghost-written autobiographies of forgotten soap-opera stars or sportspeople. And the showbiz puffery books.
And the ghost-written autobiographies of forgotten soap-opera stars or sportspeople. And the showbiz puffery books.
To
find my few treasures, I walked slowly up and down all the lines of tables,
examining all the spines, and found that this dross dominated by a ratio of
about ten to one. I stopped and looked at the whole school hall. Hundreds of
books – thousands – that need never have been written in the first place.
Square miles of forests that need never have died. Redundancy. Incitements to
non-thought.
We
had come on the second day of the sale, so it is possible that many books of
real worth had already been snapped up before we arrived. Even so, my gut still
sang the song that it often sings in large bookshops or at bookfairs.
How
many books really need to be written?
If
all you desire is formula, why not read the thousands of formula books that have
already been written, rather than craving new ones?
Why
not send a note to publishers asking them to save their time and just do
reissues and reprints?
In
fact they could be helped along economically by pulping and recycling the books
they have already published.
I have pondered the same circumstances and concluded that 90 per cent of cultural endeavours are middling at best; that fame is hard won and often fleeting; that posterity is cruel to most authors with disregard being their probable fate; and that exceptional works that retain their significance over time are all the more valuable because of this.
ReplyDeleteJust letting you know I spotted a couple of mistakes... should be 'half a mile' near beginning, and 'before' is spelt wrong prior to you talking about the dross books.
ReplyDeleteNot being a smug grammar Nazi, just a friendly heads up. I enjoy reading these pieces every week.
No, dear Anonymous, you are not a grammar Nazi because you have not corrected any of my grammar. You have merely noted two typos - so you must be a SPELLING Nazi.
Delete