Nicholas Reid reflects in essay form on general matters and ideas related to literature, history, popular culture and the arts. You are free to agree or disagree with him.
DE MORTUIS NIL NISI BONUM
Here is one of the most over-used
phrases in the dictionary of quotations:
De mortuis nil nisi bonum.
Literally “Of the dead nothing unless good”.
How pithy the Latin language is
when it comes to speaking truisms. What it means is “Say nothing disrespectful about the dead.”
And yet we constantly say
disrespectful things about the dead. Where would the writing of history be
without exposes of the foolish, immoral or cruel things that the dead have
done? We should honour the good too, of course, unless we are complete cynics
and reductionists. But we have a right to criticise the imperfect dead.
Perhaps we should limit the scope
of the Latin aphorism.
Perhaps what it is really saying
is “Say nothing disrespectful about the recently
dead.”
When the corpse is still warm and
the tears are still wet, it is unmannerly to say negative things about the
person who had just died.
Who but a complete bounder would
go up to the grieving widow and tell her that, actually, her late husband was a
cheat, philanderer and thorough creep? Leave her with her illusions for a
while. Let her grieve and get it out of her system; and let the newspaper
editorialists and columnists pretend that the newly deceased was a great
person, a benefactor of the world and somebody to be admired.
And then, when six or seven
months have gone by, write the truth.
I do not write this in a vacuum.
I write it from bitter experience.
A number of years ago, a pretty
but rather simple-minded young woman died in a car crash in Paris. She was the
Estranged Wife of the Future Head of the Church of England, who, as we now
know, was at the time already bonking his mistress and who regarded his
marriage as a mere formality to produce heirs. Estranged Wife had done her own
bonking, which possibly produced one of her sons. This Pretty But Vacuous Young
Woman had given a number of television interviews in which she said she aspired
to be something called the Queen of Hearts. She was obviously of fairly limited
intelligence, even if we could sympathise with her a little in having gone
through the sham of a “fairy-tale wedding” to somebody whose thoughts were
elsewhere.
Poor silly little thing.
Yet after her death, the media
whipped up a frenzy of grief to which the more gullible members of society
responded.
Okay. The British monarchy is a
fairly questionable institution and it was reasonable for people to feel
sympathy for somebody who seemed to have been victimised by it. But I was quite
simply appalled at the tsunami of nonsense that was written and said about this
sad, foolish and rather silly young woman. It is always to be mourned when
somebody dies in a car crash; but it deeply offended me that this particular
corpse was being honoured and wept over as a sainted individual.
So, in the first flush of
Diana-mania, I wrote an article pointing out that a person of no particular
achievement or goodness was being honoured irrationally. Sure, she supported
some charities pro forma. Which
under-employed royal doesn’t say how
bad land-mines are etc? But what else was it that was being grieved? Merely the
image that the media had created of a winsome pretty girl.
Boy, the abuse I received for my
plain-speaking. How dare I write so heartlessly and disrespectfully? Didn’t I
know that hundreds of thousands of people were in tears and that a veritable
jungle of exotic flowers had been piled at the palace gates?
The lesson I learned was a simple
one. Do not speak the truth about the dead too
soon. Wait a while until the deceased is no longer on the front page. Then
tell the truth.
So – speaking purely
hypothetically, of course – I wonder what I would do if a media personality
died, was given a fancy funeral at the Anglican cathedral, and had columns of
slop written about him by old mates and colleagues?
Would I immediately jump in and
point out that the media personality in question helped to set in motion the
rot whereby television current affairs became “reality” television? Would I
point out that the smug, simple-minded and foolish formulations of the media
personality gained him popularity at the expense of accuracy? Would I note that
the media personality appealed to the Lowest Common Denominator, often played
to prejudices and had no real understanding of the important things in the news?
Would I report that gradually his very appearance on television came to make me
feel slightly sick?
No. I am a gentleman. In this
purely hypothetical case I would say no such thing. I would wait until the
tears of the nearest and dearest had stopped flowing, the slop had ceased to
fill up the column inches, and the time was ripe to say it. Then I would tell
the truth.
But until then, De mortuis nil nisi bonum. old chap.
De mortuis nil nisi bonum.
Delaying criticism until the quintessence of dust has settled seems the morally correct course. Death shows the vulnerability of someone who was egotistical, annoying or bigoted in life, and that they can ultimately be silenced - even dubbed news presenters made famous by too much airtime, cutting their own CDs and penning an autobiography with an airbrushed photo on the cover.
ReplyDeletePrincess Di was adored and mourned by being an archetype of fairytale princess/tragic heroine. The artist Banksy may best have summed her up with his print run of Lady Di quids, released to the breeze to flutter down over London: glam-cash, iconic but worthless.