Nicholas
Reid reflects in essay form on general matters and ideas related to
literature, history, popular culture and the arts. You are free to agree
or disagree with him.
UNGEHEUERES
UNGEZIEFER
Not for the first time I crave
your indulgence and forgiveness for my egotism. I’ve just been discussing Franz
Kafka’s masterpiece Metamorphosis,
and I recall that after I first read it, in the Edwin and Willa Muir
translation, I was struck with the idea that we all reach moments in life when
we wonder what has happened to us, and why we are now the thing we are, when we
used to be another sort of thing. Gregor Samsa literally becomes an insect or
“monstrous vermin” (“ungeheueres
Ungeziefer”). None of us suffer that trauma, but we do all age and in
dreams we often re-live what we used to be, which is quite different from what
we are. Putting this all together, I wrote the following poem, called “Ungeheueres Ungeziefer”.
You are welcome to pass any
judgement on it you wish.
When Gregor
Samsa woke from pleasant dreams
he found he had
been transformed in his bed
into a
middle-aged human male.
He had been
riding freely on his bicycle
on the broad
road near the estuary,
his homework
done, his conscience clear.
His wheels had
whirred with plans unformed
but real, his
schoolboy mind brimmed
with watery
anticipation.
From the
roadside, the friendly laugh of a girl
enhanced the
jerk of his pedals,
the happy play
of his bum on the saddle.
And then
suddenly, in the unblink of an eye,
he was here,
surrounded by flowered wallpaper,
digital alarm
clock, accusatory unread books.
Flesh weighed
on him like a dust-filled coat -
the sort that
makes you sneeze when you pull it
from the back
of the wardrobe, in winter.
His legs were
heavy, the muscles of his arms ached,
his right wrist
complained at how often
it had had to
pull at (and tap) a mouse.
Rheumatism? Arthritis?
Old men’s diseases.
He scratched an
itch and found a belly
pregnant with
fat, taut with stretch marks.
When he made it
to the en-suite, the mirror showed
grey hairs,
jowls, a discernible timetable
for
obsolescence.
Who had plucked
and thrown the apple?
Where were the
years gone? The bicycle
was still
thrumming. This thing wasn’t him.
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