Nicholas
Reid reflects in essay form on general matters and ideas related to
literature, history, popular culture and the arts, or just life in general. You are free to agree
or disagree with him.
THE CULT OF COOKERY
It is curious how you can misremember things that you
read with pleasure years ago. I must have been a teenager when I read an essay
which impressed me and which stayed with me. It concerned food and how it is
appreciated. As I remembered it, the essay was an argument against the
over-elaboration of food and in favour of a healthy plainness in eating. I
tracked the essay down recently and re-read it; and – oh! – it was not as I
remembered it.
Called
simply “Food”, the essay was written by the cultured, but also extremely snobbish
and class-conscious, fringe member of the Bloomsbury group, the English
diplomat, biographer and belle-lettrist Harold Nicolson (1886-1968). Apparently
it first appeared in his book Small Talk
in 1937. Far from calling for plainness in food, most of it was calling upon
English people to give up their insular prejudices when it came to experiencing
foreign (meaning Continental European) food. It was written with many of those
sly references that members of Nicolson’s set often used to show that they were
a cut above other mortals – things designed to signal how well-travelled and how
widely-experienced in haute cuisine
the author was.
But
my memory had not completely deceived me, for an argument against the
over-elaboration of food could be inferred from the essay’s opening pages. Here
Nicolson tells the story of an over-indulgent millionaire whom he claims to
have known. Apparently the fellow employed a very expensive chef from Dijon,
and made a precious ceremony out of the food he served in his mansion. His piece de resistance was a soup he shared
with his more privileged guests in the middle of the day. It contained the
choicest and rarest ingredients from across Europe but, says Nicolson, when consumed
it tasted “like some very hot cough-mixture drunk with shrimp paste.” In
effect, the anecdote illustrated the pointless pretentiousness of some haute cuisine, and how unappetising (not
to mention unhealthy) much of it can be.
It was from
this anecdote that I carried away my impression of what the essay was arguing,
and it still strikes me as a good lesson. Food should be nutritious. It is good
for food to be appetising and tasty and varied; and it is interesting to
experience food that takes you away from your usual diet. But turning food into
a cult is pretentious, pointless and generally the sign of somebody with
nothing better to do.
I’ve been
thinking along these lines a lot recently because I am reacting to the whole
television-driven trend towards food snobbery.
It has taken
my patient wife (who is a much better cook than I am) many years to train me to
produce even a moderately palatable evening meal, a feat which I undertake more
regularly as it is now she who is away working until the early evening. When I
was new to the game, a decade or so ago, there was a modest British show called
Master Chef which, as it then
appeared, had two English chaps devising and preparing relatively simple meals
and getting other people to compete in producing them too. At that time, the
show was run just before the evening news, which was fine because that was when
I was preparing the evening meal and I could move easily between kitchen and
television screen to keep up with what was going on as I worked. As a very
amateur cook, I often explained to my wife that I found the programme
encouraging, because it showed me that good meals could be made out of simple
ingredients. It also reinforced my long-held idea that, in the end, an
expensive restaurant meal is rarely more palatable and nutritious that what can
be devised at home even by such as I. In going to a restaurant, one is really paying
for the occasion and the service, which experience is indeed often delightful.
Now flash forward
a decade and Master Chef (as seen by
us in Master Chef Australia) has
mutated into something quite different. Instead of appearing on simple studio
sets, its participants are on display in an elaborate auditorium-sized hall.
Instead of polite, modest competiton, there is now frantic, aggressive,
hyped-up competiton, with the camera swooping overhead to create an atmosphere
of tension. The show is now geared not to good simple meals that you can make
in your kitchen at home, but to cordon
bleu meals that might be served with all the trimming in an expensive
resturant. This, indeed, is very much the trend on current cookery shows. Time
was, the tele-chef would be somebody in a television studio instructing viewers
on how to prepare meals for home consumption. Now cookery shows are often set
or staged in the hot-house atmosphere of a restaurant kitchen, where
participants are working against the clock and orders are being barked
aggressively by the likes of Gordon Ramsay – or said a bit more politely by Jamie Oliver, who at least has championed the cause of
simple meals for the masses. (If your thing is chocolate-filled, sugar-filled
indulgence, then you might be watching Nigella Lawson flashing her big dark
eyes at you.)
It
isn’t only the changed nature of cookery shows that concerns me here. It is the
fact that they are now so ubiquitous, and fill up so much of broadcast
schedules, that they signal a major shift in culture. Cooking has become a cult
– something to give prestige rather than something to enjoy. Something to
compete in rather than something to share. Boasting about the unique meals one
has experienced (“divine filet mignon”,
“superb Barbaresco”, “best Shieldzini ever” etc.) is the same
sort of currency as boasting about the exotic and out-of-the-way places one has
been able to visit. It is an easy way of appearing “cultured” without having to
do much brainwork.
I’m
not writing this to denigrate people who enjoy being well-informed about food,
have shelves of the best recipe books to guide them, and like to experiment with
exotic flavours. (I would be lynched if I did denigrate such people, as I have
two close in-laws who fall into this category.) If your hobby is creating great
meals at home, good for you.
But
I am running against the notion, which chef shows now encourage, that somewhere
out there, there is the perfect meal, the imagined best dish of all time which
would satisfy all our culinary desires if only these frantically competing
contestants could devise it. There is no such thing, any more than there is the
ultimate and perfect orgasm that the sex addict craves. Self-indulgence is
never satisfied, and leads only to further cravings. Shows that incite culinary
indulgence ultimately lead back to the truism that food is, after all, only
food.
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