Sometime
last week, the evening scene was my idea of perfection.
The sun had
just set. In my upstairs study, I was seated in my work-chair, reading. My wife
was seated in the armchair, reading. From the large study window – which faces
north-east – I was admiring the clouds. They were not a flashy sunset
spectacle, but subdued, turning cotton-wool-grey in the twilight. Serene.
At times
like these, I usually dive for William Collins’ Ode to Evening and read it like a prayer. Instead, I said out loud
“When I am retired, I think I will spend
a lot of time looking at the sky.”
Blasted
literary allusions!
At once I
realized what had formed that thought. It was a vague memory of the last two
lines of W.H.Auden’s pithy “Roman Wall
Blues”:
“When I'm a veteran with only one eye
I shall do nothing but look at the
sky.”
One thing
leads to another.
It always
does.
As night
fell, I took off the shelf Auden’s Collected
Shorter Poems and began reading. With delight.
Why was I
so delighted?
Because
they were so urbane. So finished. So clearly poems from an age when good poets
knew about structure, and what the rules were, and when and how the rules may
be broken fruitfully but how they can never be ignored. Poems by a man who,
fifty and more years ago, worked in a tradition he understood but was renewing
with his own voice.
After I’d
read for a while, an evil and deluded thought formed in my mind.
It always
does.
Recently,
I’ve been reading new volumes of poetry that are hot off the press. Recently,
too, I’ve been reading and sorting submissions to a poetry magazine which I am
guest-editing. Some are good. Some are very good. But how many of them are tosh
and tat. How few poets now know anything about form and structure.
So, says
the evil and deluded thought, poetry and culture in general have degenerated.
The poets of this age are not a patch on the poets of fifty and more years ago.
I should know. I’ve just been reading Auden.
Oh
delusion!
Fortunately,
reason rushes in to correct this foolish thought.
The
proportion of tat and tosh to very good poetry (and culture in general) is
probably no more now than it was in The Golden Age.
The
delusion is caused by the obvious fact that only the good stuff has survived and continued to a re-printed half
a century or more after it first appeared.
A poetry
reviewer (or editor) in 1932 doubtless did as much whining and groaning as I do
at the cliché-mongers and poetasters and talentless bastards who get into print
(or try to).
What we
think of as literary culture is the tip of a publishing iceberg. Beneath the
waves, where it should always stay, is the massed mediocrity that has not
survived.
Only time
sorts out the worthwhile.
All other
critics should hold their breath until time has done its work.
CODA: Seeing as
I’ve mentioned it, you might as well savour Roman
Wall Blues for yourself. One of Mr Auden’s pithiest. One of his neatest
conjunctions of the colloquial and the historical. One of…. Oh blast this
critic talk! Just read it and enjoy it for yourself.
Roman Wall Blues
Over the heather the
wet wind blows,
I've lice in my tunic
and a cold in my nose.
The rain comes
pattering out of the sky,
I'm a Wall soldier, I
don't know why.
The mist creeps over
the hard grey stone,
My girl's in Tungria;
I sleep alone.
Aulus goes hanging
around her place,
I don't like his
manners, I don't like his face.
Piso's a Christian,
he worships a fish;
There'd be no kissing
if he had his wish.
She gave me a ring
but I diced it away;
I want my girl and I
want my pay.
When I'm a veteran
with only one eye
I shall do nothing
but look at the sky.
Roman Wall Blues is very good. It would be wonderful put to music. It has a kind of Winnie the Pooh for adults style to it. Or is that just the metre?
ReplyDeleteI remember Roman Wall Blues vividly from a 4th or 5th form class back in the 60's - we read it on a rainy day, and for that class period I could feel the bored but dutiful soldier and myself coalesce. Auden really gets the sense of his subject daydreaming in the drizzle.
DeleteClever guy - he establishes the mood in so few lines.
I remember Roman Wall Blues vividly from a 4th or 5th form class back in the 60's - we read it on a rainy day, and for that class period I could feel the bored but dutiful soldier and myself coalesce. Auden really gets the sense of his subject daydreaming in the drizzle.
DeleteClever guy - he establishes the mood in so few lines.